This is a collection of unrelated images bound together in book form. It is a product of, and is immersed in, the idiom of the late sixties. My studio was near the King's road in Chelsea, the focal point of Swinging London. Those were informal times. Friends calling at the studio to say hello frequently found themselves in front of a camera collaborating in the experiment of the moment. The pictures were embraced by a wide ranging audience. The Flower People decorated their lofts with them and the New York Art Directors Club honoured the publication with their Gold Award.